History of Wholeo, the Stained Glass Dome, Text Path
What is it? How did it come to be?
Where is it going?
As you read, click on highlighted works to open related images.
Wholeo, the name of the dome, and all images are Copyright Caroling 1974
All rights reserved.
San Francisco, 1967
Wholeo Dome started with a vision quest for the whole self and the desire to be
completely immersed in colored light. In San Francisco, I made a scale model design for a colored dome. Eventually, the actual dome turned out quite differently. It could not be confined to the preliminary vision.
To prove the concept, I built a test panel on two foam shells, to the curvature
of the hemisphere. These pictures show the panel and the colored light from the panel projected
onto a foam shell. Eventually, the panel became part of Wholeo Dome.
New York, 1968
After moving to Staten Island, N.Y., I talked to architects, experimented with
plastic frameworks, and read the Whole
Earth Catalog and the Domebook
2. I
created and built some panels on a light table.
- | small GIF
| small JPEG |
The first table design, made from excelsior, plaster, and 2' x 4' wooden beams, cut to the curvature of the dome.
- | larger JPEG |
The light table made of acrylic topped with vinyl tubing to hold nails,
topped with a vinyl sheet for drawing.
- | larger JPEG |
Improvisational design on a curved light table.
- | larger JPEG |
A finished panel lying on the light table.
Berkeley, California, 1972
Four years and many paintings, drawings, and 20 glass panels later, I was ready to put up the dome frame. I needed to see the glass in position in natural light. So I headed for California.
In Berkeley, I made the aluminum tube frame and put up the NY panels for the first
time. At last I was quite sure it could work and it was a wonderful idea.
Forestville, California, 1973
To make the dream come
true, I found a site on the sunny side of a canyon near the Russian River in
Forestville, Sonoma County on a ranch named "Harmony." There I built a dome
("Bump") to live in while finishing Wholeo Dome. My only utility was cold
water with a spigot. The setting fostered the solitude and serenity needed to
realize the visions of the search for the whole self. I tuned into the cosmos
and channeled that into the stained glass dome.
Monte Rio, California, 1975
Take a look at the geodesic aluminum tube frame skeleton that holds up the skin
of leaded glass panels. The next picture shows a single panel perched high against
the sky. It is the first one on the dome in its new home near the Russian River.
Wholeo Dome remained open to the public in Monte
Rio for six years. Now it is in the Hippie Museum
virtual collection and is installed at The Farm School
in Tennessee. See also Ideas,
environment, roots, and surround.
Comments
Write
to:
This page last modified: 10 July, 2007
Back to the exhibit page.