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- "Album of Chinese Paintings", Life Magazine, October 11, 1943
- Art in Asia and the West, San Fransisco Museum of Art, 1957
- Arts of the Ming Dynasty, Detroit Institute of Arts, 1952
- Baur, John I. H., Catalogue of the Exhibition, Nature in Abstraction, Whitney Museum of American Art, William J. Ponzio, Inc., 1958
- Bijutsu Kenkyu 26, Nos. 1-169, Institute of Art Research, Tokyo, 1923-1952
- Bowie, H., On the Laws of Japanese Painting, New York, 1951
- Chinese Landscape Painting, Cleveland Museum of Art, Ohio, 1954
- "Chinese Paintings at Boston", Magazine of Art, March, 1944
- Chung-kuo ming-hua chi, Vol. I, 35, Yu Cheng Book Co., Shanghai, 1909
- Cohn, William, Chinese Painting, Phaidon Press, Ltd., London, 1948
- Corso, Gregory, Gasoline, Introduction by Allen Ginsberg, Pocket Poet Series,City Lights Books, San Francisco, 1958
- Dubose, J.P., "A New Approach to Chinese painting", Oriental Art Magazine, Vol. 3, Edition Cohn, 3 Victoria St., London, 1954
- Edmunds, Will, Painters and Clues to the Subjects of Chinese and Japanese Art, Sampson, Low, Marston and Col, Ltd., London, 1954
- Exhibit of Chinese Paintings 11th-20th Centuries, Winnipeg Art Gallery, 1953
- Exhibit of Chinese paintings from the Collection of C.T. Loo, Stanford University Museum, 1956
- Exhibit of Paintings by Kao Weng and Chang K'Uni-I, Catalogue, Metropolitan Museum of Art, New York, 1944
- Fenollosa, Ernest, Epochs of Chinese and Japanese Art, Great Britain, 1912
- Fingesten, Peter, "Beat and Buddhist", The Christian Century, February 25, 1959
- Forty American Painters 1940-1950, The University Gallery, Department of Art, University of Minnesota, 1951
- Fung Yu-lan, A History of Chinese Philosophy, two volumes, Princeton Universty Press, 1953
- Ginsberg, Allen, Howl and Other Poems, Pocket Poets Series #4, Introduction by William Carlos Williams, City Lights Books, San Francisco, California
- Grilli, Elise, Sesshu, Kidansha Library of Japanese Art, No. 10, Charles E. Tuttle Company, Rutland, Vermont and Tokyo, Japan, 1957
- Grousset, Rene, De la Chine au Japon, Les Documents d'Art, Monaco, 1951
- Hajek, L., Chinese Art, Czechoslavakia, 1957
- Hansford, S., A Glossary of Chinese Art and Archaeology, London, 1954
- Hayward, John F., "Religious Implications of Modern Painting", Journal of Religion, July, 1954
- Herrigel, Eugene, Zen In the Art of Archery, Pantheon Press, 1954
- Hikkoen, Album, Shimbi Shoin, Tokyo, 1912
- Hui-hua Kuan, from Siren's Lists
- Institute of Art Research with text by Ichimatsu Tanaka in Japanese, Liang Kai, Tokyo, Japan, 1957 {A copy is in the New York Public Library, Research Libraries, Art & Architecture Division of the Humanities and Social Sciences Library, 476 5th Ave. and 42nd St. Call # MAG+ (Bijutsu KenkyŸsho, Tokio. Liang K'ai)}
- It Is, Spring Issue (Vol. I, No. 1), 1957, Second Half Publishing Co., Inc., New York, 1958
- It Is, Autumn Issue (Vol. I, No. 2), 1958, Second Half Publishing Co., Inc., New York, 1958
- Johnson, Woodbridge O., "Beat and Misleading", Christian Century, February, 1959
- Kerouac, Jack, The Dharma Bums, Viking Press, New York, 1958
- Kokka, An Illustrated Monthly Journal of the Fine and Applied Arts of Japan and Other Eastern Countries, Vols. 1-606, Brentano's, New York and Tokyo, Japan, 1889-1959
- Kukung shu-hua chi, XXV, Palace Museum, Peking, 1930-1936
- Lessing, Ferdinand Dederich, Yung-ho-kung, An Iconography of the Lamaist Cathedral in Peking, Vol. I, Stockholm, 1942
- Langdon Warner, Enduring Art of Japan, Harvard U. Press, 1952
- Loan Exhibition of Chinese Paintings, Royal Ontario Museum of Archaeology, 1956
- London Exhibition, Catalogue 972, Illustrated catalogue of Chinese Government Exhibitions for the International Exhibition of Chinese Art in London, Vol. III, Commercial Press, Shanghai, 1936
- Maritain, Jacques, Creative Intuition in Art and Poetry, Meridian Books, New York, 1955
- Maritain, Jacques, "Things and the Creative Self", Magazine of Art, February, 1953
- Masterpieces of Chinese Art", Time Magazine, May 6, 1957
- Mather, Richard, "The Landscape Buddhism of the Fifth-Century Poet Hsieh Ling-yun", The Journal of Asian Studies, November, 1958
- Miller, Dorothy, Exhibit of Paintings by Fourteen Americans, New York Museum of Modern Art, Simon and Schuster, 1946
- Muelder, Walter, The Development of American Philosophy (with Lawrence Sears), Houghton-Mifflin Co., Boston, and Riverside Press, New York and Cambridge, Mass., 1940
- Munsterberg, Hugo, The Landscape Painting of China and Japan, Tokyo, 1955
- Muto Collection Catalogues II, 2; III, Chosho Seikan, 1929
- Nanking Exhibition Catalogue, pp. 31, Commercial Press, Shanghai, 1943
- Noma Seiroku, Translated by Edward Strong, Artistry in Ink, Crown Publishers, New York, 1957
- Oriental Art Series O, Section III, Japanese Art, Edited by Henderson and Paine, The University Prints, Cambridge, Mass.
- "Paintings by Sages, Chinese Art at Cleveland", Time Magazine, Novermber 15, 1954
- Priest, Allen, Aspects of Chinese Painting, Macmillan, New York and London, 1954
- Rexroth, Kenneth, "Disengagement: the Art of the Beat Generation", New World Writing #11, Mentor Books, New American Library of World Literature, New York, 1957
- Ross, N.W., "What Is Zen?" Mademoiselle Magazine, January, 1958
- Rowland, Benjamin, Jr., Harvard Outline and Reading Lists for Oriental Art, Harvard University Press, Cambridge, Mass., 1952
- Rowley, G., Principles of Chinese Painting, New Jersey, 1957
- Sesshu, Tokyo National Museum, Tokyo, 1956
- Sickman and Soper, The Art and Architecture of China, Baltimore, 1956
- Siren, Osvald, The Chinese on the Art of Painting, Henri Vetch, Peiping, 1936
- Siren, Osvald, Chinese Painting: Leading Masters and Principles, Volumes 1-3, The Ronald Press Company, New York, 1956
- Siren, Osvald, Histoire Des Arts Anciens De La Chine, Histoire De La Peinture Chinoise, Les Editions D'Art Et D'Histoire, Paris, 1955
- Siren, Osvald, History of Early Chinese Painting, 1933
- Siren, Osvald, Les Peintures Chinoise Dans Les Collections Americains, Librarie National D'Art Et D'Histoire, Paris, 1927
- Shimbi Takikan, Vols. I-XX, Kyoto, 1899-1908
- Sogen Moigeshu, II, 1930
- Sogen Minshin Meigan Takan, Vols. I and II, Tokyo, 1931
- Soraikan Kinshu, Parts I and II, pub. Hakubundo, Osaka, 1930-1939
- "Spreading Buddhism", Newsweek Magazine, July 18, 1955
- Suzuki, Daisetz T., "Sengai, Zen and Art", Art News Annual, 1958
- Suzuki, Daisetz T., Studies in Zen, British Book Centre, New York, 1955
- Suzuki, Daisetz T., Zen Buddhism, edited by William Barrett, Doubleday and Co., Inc. Garden City, New York, 1956
- Toso Gemmin Meiga Taikan, Vols. I and II, Tokyo, 1929
- Toyo Bijutsu Taiken, Vols. VII-XII, Shimbi Shoin, Tokyo, 1912
- Waley Arthur, An Introduction to the Study of Chinese Painting, Grove Press, Inc., New York, 1958
- Waley Arthur, Zen Buddhism In Its Relation To Art, Luzac and Co., London, 1922
- Watts, Allan, "Prevalence of Zen", report by S. Mahony, The Nation Magazine, November 1, 1958
- Watts, Allan, Square Zen, Beat Zen, and Ch'an, Grove Press, New York, 1955
- Weber, V.F., Ko-ji Hoton, Dictionnaire a l'Usage des Amateurs et Collectionneurs D'Objets D'Art Japonais and Chinoise, Paris, 1923
- Willetts, William, Chinese Art, Vols. I and II, Penguin Books, R. Clay and Co., Ltd., Bungay, Suffol, Great Britain, 1958
- Wright, S. Macdonald, "Some Aspects of Sung Painting", Magazine of Art, February, 1938
- Yonezawa, Yoshiho, Painting in the Ming Dynasty, Mayuzama and Co., Tokyo, 1956
- Yonezawa, Y., and S. Shimada, Painting of the Sung and Yuan Dynasties, Tokyo, 1952
- Yutang, Lin, "Contributions of East to West in Art", Magazine of Art, October, 1949
- "Zen: Beat and Square", Time Magazine, July 21, 1959
- "Zensation", Time Magazine, February, 1959
- "Zen", Time Magazine, February 4, 1957
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